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During the night of September 18, 1939, Witkacy killed himself by slashing his wrists and cutting his throat after first taking pills to make the blood flow faster.Czeslawa, who tried unsuccessfully to kill herself, free credit reports South Dakota described how she found Witkacys corpse. His jacket wasunder my head, he free credit reports South Dakota must have put it there.He was lying besideme on his back, with his left leg drawn up, he had his arm bent at the elbow and pulled up.His eyes and mouth were open.

On his face there was a look of relief.A relaxing after great fatigue.Istarted to yell, to say something to Stas. We both were wet fromthe morning mist, acorns from the oak had fallen on top of us. I tried to bury free credit reports South Dakota him by raking dirt over him with my hands. With water from free credit reports South Dakota the mug for the luminal I washed his face and covered Iit with ferns. and I crawled away from him on my hands andknees free credit reports South Dakota to get some manuscripts that had to be saved, but I didntknow free credit reports South Dakota how, then I returned and sat helplessly on the ground. Throughout the war and during the immediate post-war communist take-over of Poland, there could free credit reports South Dakota be no possibility of reviving Witkacys work. free annual credit report government For nearly six years of Nazi occupation, no open theatre existed, free credit reports South Dakota except for collaborationist light entertainment. An underground home production of The Madman and the Nun by students at the Clandestine Warsaw University went into final rehearsals in the spring of 1942, but never was actually realized.After 1945 there seemed no place for an extreme individualist like Witkacy in the triumphant anthill society against which he had warned.In January 1949, socialist realism was proclaimed the only acceptable style in the arts, and later that year a Festival of Russian and Soviet Drama was instituted to teach Polish playwrights how to write in the Moscow-approved style. All theatres were put under centralized bureaucratic control, Polish romantic dramas were banned, and for the next five years of Stalinism, Witkacy seemed doomed to oblivion. credit report protection

But the playwright demonstrated uncanny skill in predicting his own posthumous rediscovery.

On a striking portrait all in dark red, done in free credit reports South Dakota 1931, there is the inscription: For the posthumous exhibition in 1955.

It was in 1956 that Tadeusz Kantor opened his theatre Cricot II in Cracow with The Cuttlefish, the first post-war production of Witkacys work. With the bloodless October revolution of 1956 following Khrushchevs speech denouncing Stalin, Poland free credit reports South Dakota acquired an autonomous policy in the arts.Socialist realism was quickly scuttled; formally the arts were now free, but censorship of content continued, ruling out truthful presentation of everyday social reality or any criticism of the free credit reports South Dakota USSR or the communist party. The liberalization of 1956 made possible the gradual recovery of Witkacy, although there free credit reports South Dakota were constant battles with the censor free credit reports South Dakota over publication and performance of his plays. His flamboyant life and uncompromising suicide in 1939to evade Nazis and Bolsheviksmade him a hero to postwar artists and intellectuals, and his work became a major influence on the formation of the new post-war theatre. free gov credit report His bizarre, colorful plays and anti-ideological free credit reports South Dakota theory of Pure Form were the perfect antidote to five dreary years of enforced socialist realism, and his sardonic humor and prophetic insights into the workings of history made him, posthumously, a truly subversive and untamable author who attracted the most daring and imaginative directors and designers.The rediscovery of Witkacyproducing a long series free credit reports South Dakota of premieres of previously unknown and unproduced plays and frequent clashes with the censorwas one of the most exciting aspects of Polish cultural life from the later 1950s to the 1970s.